The Good the Bad and the Ugly
Summary
A Wild West expert breaks down Clint Eastwood’sThe trade good , the Bad and the Uglyending gunplay , highlight the “ bully myth ” of the Old West . Sergio Leone change westerly picture forever with his " The Man With No Name ” trilogy , crest by his 1967 chef-d’oeuvre starring Eastwood as a gunfighter on the trail of obscure gold . In a plastic film full of iconic present moment , none is more famous than the climactic three - means cemetery gunplay pitting Eastwood , Lee Van Cleef and Eli Wallach against each other , to the strains ofEnnio Morricone ’s unforgettable score .
That shootout vista may indeed be one of the expectant in picture history , but it ’s not in any way base on historical fact , at least according to one expert . In a piece forInsider , Old West historiographer Michael Grauer breaks down Leone’sThe Good , the Bad and the Ugly , accusing it of perpetuating the groovy myth that gunmen ran uncivilized in the West engaging in quick draw gunplay with their unrealistically exact revolvers , give the film itself a four - out - of - ten for accuracy . match out his remarks below ( around : 36 of the clip ):
The greatest myth about the West is everybody was a triggerman . That ’s a bunch of nonsense . … The catamenia of what mass normally understand as the Wild West is mainly the second half of the 1800s . The only mass carry piece were crook and in the Army and also lawmen . In every moo-cow town it was illegal to carry your firearms in town . Yes , there were piece in the West , but not as you see in Western films .
So this whole idea of the fast draw is just nonsense . The revolver was still more or less young . It had been around since the 1830s , but they ’re notoriously inaccurate and [ the gunmen are ] standing so far aside they ’d have emptied each of their cylinders probably to make one undecomposed nip . And as far as flying draw , there are document typeface where Doc Holiday fast drew and never reach anything . So the want of truth in the quick lot is one of the thing that never get through in the movies and television .
Leone’s Films Made The Old West More Mythic Than Ever, And That Was On Purpose
The Old West was in the operation of being mythologized by the likes of Buffalo Bill even before movies total along , but when movie house arrived , the mythologizing went into overdrive . Thanks to directors like John Ford , American moving picture exhibit a highly romanticize view of its own history , one that made heroes of the likes ofJohn Wayne , while conveying a deep problematic view of indigenous people and their battle .
The Western was falling out of favour in America by the 1960s , but in Europe the form was still unabashedly revered , and directors like Leone began putting their own spin on the myths of the West , inventing the“spaghetti ” Western . The Good , the Bad and the Uglywas indeed a deliberately mythic view of the West , one that treated Western figure as consecrated . Leone was not interested in realism when he concocted his three - way gunfight at the climax of the moving-picture show , but used his cinematic genius to create the most memorable gunfight of all - time .
The Good , the Bad and the Uglygrossed $ 38.9 million worldwide
Even if an expert like Grauer does n’t appreciate the want of realism exhibited byThe Good , the Bad and the Ugly , the movie ’s power is hard to deny , and though it may not be truthful that gunfighters walked the Old West get into incessant quick draw battles , the myth of the gunfighter stay on powerful , and continues to influence film producer to the present solar day .
Source : Insider
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Cast
The Good , the Bad and the Ugly is a Spaghetti Western directed by Sergio Leone , mark by Ennio Morricone , and starring Clint Eastwood , Lee Van Cleef , and Eli Wallach as three gunslingers who vie for a stash of Confederate gold during the American Civil War . The 1966 film is regard as one of the corking Westerns of all sentence .
Custom image by Yeider Chacon
