Inception
Why do so manyChristopher Nolanmovies concern themselves with the construct of time ? Almost every revered director has a signature tune theme or special sub - genre they become renowned for , whether it ’s Martin Scorsese and mobster , Alfred Hitchcock and suspense , or James Cameron and making tons of money . In the display case of Christopher Nolan , the director on a regular basis return to time as his assay-mark . Whether he ’s flex it , reversing it , break it or redeem it , Nolan moving picture often convey some facet of time manipulation to the table , which has add in no little way towards his reputation for head - scratching plot .
This influence can be see as early as 2000’sMemento , which enlace colour sequences ( rate in reverse ) with shameful - and - white scenes playing out chronologically , thus giving the viewer a malformed sense of time - all becauseGuy Pearce ’s protagonistcan’t recall anything beyond the last 15 minutes . Though more to do with dreams , Inceptionincludes a time - altering chemical element of its own , where each ambition layer run incrementally faster than world . Interstellarexplores time dilation as it pertains to wormhole and space traveling , andDunkirkuses time to frame each of its three chapters . However , it’sTenetwhere Christopher Nolanreallygets to mess with the timeline , introducing the automobile mechanic of " inversion , " which turn the entropy of a soul or object - time - travel but in real - time .
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Christopher Nolan ’s obsession with time hits upon the very grounds cinema is such an enduring artistic creation form . The best moving picture experience speak to topic that audience can touch to ( and literally everyone can relate to time ) , while let the viewer experience stories beyond the realms of reality , whether that be the in high spirits - octane antics of a secret federal agent , or an exotic encounter . Nolan ’s resort handling of time do both , taking the most universal joint of topics and picture it in unknown and impossible ways - move backwards , aging speedily , or living for decades inside a dreaming while mere minutes guide on the airfoil . This proves Nolan ’s point that time and cinema are raw bedfellows .
But it ’s throughTenetthat Christopher Nolan ultimately take his paradox preoccupation to its logical conclusion - the Temporal Pincer Movement . The total closing sequence ofTenetisMementoon steroids , with one team of soldiers go forward as nature intended , and another coming back from the same mission just as the others arrive . 2 hours is n’t really enough to do these lofty concepts justice , but you could feel Nolan scratching a long - held scabies in every scene , as time becomes both a threat to humanityandits solution . Christopher Nolanwants his pic to give the audience a unique experience of time , and that ’s a destination he has accomplish … time and meter again .
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