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optic effects are one of the last things that come to mind whenCharlie Chaplinis name , but several 10 before CGI , or calculator - sire imagery , became a common practice , Chaplin pulled off one of most ingenious visual effects in 1936’sModern Times . Though CGI is used in much every major movie production nowadays , from thecrazy , CGI - filled Marvel Cinematic Universeto thedeaged Robert DeNiro , Al Pacino , and Joe PesciinThe Irishman , Chaplin made what looked like a punic stunt quite safe .
Modern TimesisCharlie Chaplin ’s last film as the Tramp - his bumbling but loveable character who stay a Hollywood picture up to this day . The 1936 film criticizes over - industrialized lodge through the news report of a mill worker who struggle to keep up with extremist modern machinery . After a series of Chaplin ’s idiosyncratic slapstick boo-boo , the Tramp ends up in jail , from which he escapes through another serial of similar solecism . Outside , he meets a runaway orphan girl , Ellen ( Paulette Goddard ) , and the couple attempt to get new jobs and find their topographic point in New high society , but the authorities get up to them , forcing them to fly without any kind of plan for their future in deal .
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One of the most famed view inModern Timesis the hair curler skating scene , in which the Tramp invite Ellen to recreate around the miniature section in the section shop he briefly works at . Excited , they grab some curler skate off a shelf and try them on . The Tramp then flaunts his strong-arm art by perform a variety of tricks while using a blindfold , incognizant of the fact that he comes perilously close to falling off the border of a vast gap in the storey . The stunt looks so substantial that it ’s almost insufferable to figure out where the effects are at first sight , but the technique is actually simple-minded than it seems . In fact , there is no col in the flooring . It ’s apractical effectconsisting of a matte picture placed mightily in front of the camera .
Chaplin performed his roller skate stunt on a fully - floored set . The shelf on the floor help him discern when to barricade , since it was measure out to fit exactly with the photorealistic matte painting that was placed on a sheet of glass just a couple foot in front of the lens . This way , the painting would appear to be the precise size of the gap without interfering with Chaplin ’s performance . The entire view was designed so that the angles and the distance between the set , the histrion , the matte painting , and the television camera could fuse together of course . For extra naive realism , the painting had a small cut in the shape of the plank in the foreground to accomplish an " overlap " between it and the real set .
Many other film producer from the classical geological era of Hollywood pioneer skillful VFX technique that are still quite unmanageable to remark nowadays , andCharlie Chaplinstands out as one of the most famous . Modern Timesis just one of many still movies that are full of forward-looking sequences and ingenious stunts ( with nostunt doubles ) .
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