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Earlier this year , it was announced thatHunt for the Wilderpeople ’s Taika Waititi will be take a newStar Warsmovie from a hand he ’ll co - write with1917 ’s Krysty Wilson - Cairns . Nothing is sleep together about the plot so far , but Waititi ’s first smash hit , the MCU’sThor : Ragnarok , prove that his filmmaking style could be just what big - budget film making need right on now .
The Disney era ofStar Warshas mostly let down fans , thanks to studio apartment - mandated reshoots andthe questionable decisiveness - makingof Lucasfilm , but by bring what he bring toRagnarokto a extragalactic nebula far , far away , Waititi could save the saga .
Humor
First and foremost , what Taika Waititi brought toThor : Ragnarokthat made it one of the MCU ’s best ingress and a megahit like no other was a risible sensibility that is entirely his own .
Humor has been one of the strongest elements in all of Waititi ’s moving-picture show , and there’sa dandy legacy of humorin theStar Warssaga ( although the original trilogy ’s jokes land a caboodle more than those of the prequel and sequel trilogy ) that Waititi can contribute to .
Memorable Villains
While the MCU is often accused of stimulate a “ villain problem , ” Taika Waititi head off it by giving Thor : Ragnaroknot one , not two , but three unforgettable antagonists . Cate Blanchett play Hela as a mustache - spin Disney baddie , Surtur was everything comic book buff had hoped for , and the Grandmaster was quintessentially Jeff Goldblum .
There areplenty of groovy villains inStar Wars , from Boba Fett to Jabba the Hutt to Darths Vader , Maul , and Sidious . There are also plenty of forgettable ones , like Snoke and Dryden Vos . Waititi has proved he can deliver a smattering of entry in the former class .
Colorful Visuals
The films of theStar Warssaga are usually vivid and colorful , but the Disney era has n’t always honored this . The optical pallet inSolo : A Star Wars Storywas needlessly dreary . It was concentrated to tell what was going on in a lot of scenes because they were fall so dimly .
Waititi ’s visual style is delightfully colourful – see inThor : Ragnarok , but also discover inJojo RabbitandHunt for the Wilderpeople – so he can bring vibrant splashes of color back to theStar Warsuniverse .
Letting His Actors Have Fun
Chris Hemsworth looked like he was have more fun than he ’d ever had play Thor inRagnarok . Cate Blanchett , Jeff Goldblum , and Tessa Thompson similarlyseemed to have had a whale of a fourth dimension establish the flick .
Taika Waititi lets his actors have playfulness with their roles and the scenes they ’re in , and that sense of playfulness definitely come through in the finished product .
Character Dynamics
Chris Hemsworth and Tom Hiddleston always shared fantastic interpersonal chemistry in theThorseries , but they did n’t really feel like brothers until Taika Waititideveloped their moral force with heart and humorinRagnarok .
The director can bring this kind of tangible character dynamic to the cast of hisStar Warsmovie , whoever it ends up being about , after the sequel trilogyfailed Luke , Leia , and Han .
Beautifully Realized Worlds
What really disappoint George Lucas aboutThe Force Awakens , among other things , is that he went out of his way to create marque - new worlds for each of hisStar Warsmovies , but J.J. Abrams just come up with another desert planet and another snow planet and another hobo camp major planet .
InThor : Ragnarok , Taika Waititi beautifully realized worlds like Sakaar and Muspelheim and even introduce fans to unobserved sides of Asgard . There ’s no doubt he ’ll make some awesome new planets in theStar Warsuniverse .
Campy Tone
In stark contrast with darkly themed comic playscript movies likeThe Dark Knightand , to a much lesser effect , Fant4stic , Taika Waititi leaned into the zany shade of his root material and gaveThor : Ragnaroka delightfully light , breezy , campy tone .
This washeavily influenced byFlash Gordon , which was also one of the strongest influences on George Lucas ’ creation ofStar Warsin the first place .
Inventive Set Pieces
There ’s nothing worse than a megahit that simply ticks off a checklist of all the same mundane set pieces audiences have consumed in a thousand previous blockbuster just like it , blindly following the rule for success .
From Thor ’s gladiatorial match with the Hulk to the triumphant escape from Sakaar , the set objet d’art inThor : Ragnarokwere imaginative and smart .
Underlying Social Commentary
While the social commentary is more prevalent in rival sci - fi franchiseStar TrekthanStar Wars , the latter has always let in an incisive criticism of real - world consequence . For example , the politics of the original trilogy wereinfluenced by the Vietnam War .
Taika Waititi can bring an undercurrent of social comment to his ownStar Warsmovie , as he did withThor : Ragnarok , which has been scan as a comment on the history of colonialism and the handling of autochthonous people .
Developing Characters Through Action
Whether they have superheroes or Jedi Knights , big tentpole blockbusters are essentially activity movies , and the cornerstone of any keen action movie is using action to drive the plot of land and the character . The natural process should n’t be a distraction from the plot and the plot should n’t have to stop the action deadened .
InThor : Ragnarok , Taika Waititi did a great line of developing his characters through their action – particularlyThor ’s revelation during the final conflict – and he can work that toStar Wars .
NEXT : Next Goal Wins : 10 Things To experience About Taika Waititi ’s Next Movie
